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I love music, but I don’t go to very many concerts. It’s just not that enjoyable of an experience for me. Dark club, toxic smoke fumes, drunk college kids all over the place, 105 degree heatbox. I sound like an old man.

But then there are bands that come along and I’ll do whatever it takes to see them perform live because the music is just that good. Along comes Mumford & Sons with their debut album “Sigh No More” early this year. This album blew me away within the first 20 seconds of listening to it, and it’s pretty much been on my playlist nonstop this year.

They are rightly categorized under the “British Folk” genre, but that might leave you with the impression of a sleepy singer-songwriter style full of dragging slow songs. Hardly. This band has energy and passion that doesn’t stop with the first few tracks, full of fiery imperfection that gives you an honest glimpse into who these guys really are.  They draw a lot of comparisons to The Avett Brothers, except with British accents. The Avett Brothers with British accents would basically be The Swell Season (and I love The Swell Season). Give The Swell Season banjos and we might be getting closer.

Anyways, we were kindly invited to tag along with our friends Dave & Meg to see Mumford & Sons in Bloomington, Indiana earlier this week. We immediately said yes.

So on Monday morning we left unwordly-hot Nashville for an equally unwordly-hot Bloomington. It’s possible that we were pulled over for reckless driving on the way to the gig. It’s also possible that tornado sirens were going off as we stood in line for the concert.  I was responsible for neither of these things. The band played at the Bluebird, which was a fantastic club minus the fact that it was 100 degrees outside and 200 degrees inside. That paired with the wood floors and soaking wet people (post-tornadoes) essentially turned the place into a giant sauna. But after suffering through two opening acts we were finally given the chance to hear what we came for.

I’m terrible at describing concerts, but suffice to say, it was one of the most fantastic shows I’ve ever seen. These guys are incredibly proficient musicians, multi-instrumentalists, and extremely talented at what they do. They were able to recreate every ounce of passion on stage that you hear on the album, and probably more. I’m incredibly excited to hear what’s next from this young band in the years to come.

For just a glimpse of what we got to experience, check out this live video of “The Cave“.

I forget sometimes how fortunate I am to have the job I have, and to do what I do in the music industry. Most of the time it’s all emails and meetings and conference calls with sales reps. Boring stuff.

But then there are days like yesterday.

Two years ago a small independent film called Once burst out of Dublin, Ireland starring Glen Hansard (lead singer of Irish rock band The Frames) and his musical collaborator Markéta Irglová. Shot on a shoestring budget (only $160,000), the film featured the pair as struggling musicians and included original music written and performed by Hansard and Irglova. It was a simple but beautiful story that went on to earn $20 million worldwide and earned Hansard and Irglova an Academy Award, a Grammy nomination, and international stardom. The two musicians now tour and perform as a duo called The Swell Season.

This week I was in California for a music presentation with one of our accounts. We do these a couple times a year featuring artists from all across the Warner label family, and it’s a cool opportunity for me to see a lot of various artists perform in one setting. The most exciting part for me – The Swell Season was on the docket to play the showcase. I have been looking forward to this for two months!

And so the time finally came yesterday. About midway through the showcase I selected for myself a spot right at the foot of the stage. A label guy got up in front of us and went through the story about Glen and Markéta and the movie – everything I just told you. And then, the words I had been waiting for, “Please welcome The Swell Season!” And then he gestures behind us! I hear music. We all turn around to see Glen, strumming on his guitar, and Marketa both standing at the back of the room side by side – no mic, no lights – as they launch into one of their trademark songs. And so begins the most incredible, intimate, unassuming, amazing acoustic performances I have ever seen in my life.

After a couple songs Glen explained how he believes stages separate an artist from the audience and creates a line of divison that shouldn’t be there, and that when he can he likes to play right in amongst the audience so that there can be a true connection. The set was necessarily short and direct, and simply amazing. They closed with their Grammy nominated song “Falling Slowly” which I captured below. There’s a lot of ambient noise, and there are plenty of better live recordings on YouTube, but this one is mine and I like it a lot:

After the set I wandered outside the club, pretending to be checking my email on my phone, but knowing Glen and Marketa had to catch a plane that evening. In general I don’t care too much about meeting artists, but there are a few that I have always wanted to meet. And so as Glen and Marketa were walking out the door I did my best to nonchalantly thank them for playing and told them how much I enjoy their music without coming across like a total goob. I’m sure I didn’t accomplish that, but they were kind enough to humor me with a little conversation and a picture before getting in their car and jetting off.

Yesterday was without a doubt one of my Top 5 music related experiences of all time. Hard to capture in words and really poor-quality video, but it was great and was a good reminder of why I work in music.

If you haven’t before, check out the soundtrack from Once. Keep your eyes open for the new album from The Swell Season releasing October 27th.

We’re 7 days into 2009, so I better get this done before it becomes completely irrelevant.

Honestly, wasn’t all that thrilled with the albums of 2008. There were a few stellar winners, but I was pretty “meh” on the rest of it. Here’s my Top 10… and if I’m honest, #9 and #10 are stretching it.

#1. Coldplay – Viva la Vida
Finely executed, perfectly produced. A full album listen from start to finish, and in my opinion Coldplay’s best effort yet. I’m particularly fond of “Lovers In Japan” and “Death And All His Friends”. I pre-ordered this album on iTunes and received with it an acoustic version of “Lost” and “Lovers In Japan”. It’s rare that bonus tracks, when tacked on to the end of a record, flow seamlessly with the rest of the content, but with this one they did just that.

#2. Sigur Ros – med sud i eyrum vid spilum endalaust
My favorite Icelander’s. This album wasn’t necessarily a depature, but it was different than previous releases, starting with “Gobbledigook”, the opening song that sets the tone and pace for the album. It’s hard to describe Sigur Ros – anthemic, ethereal, epic, and moody are words I would use but don’t seem to capture it. For me Sigur Ros is like going on a evening hike across a glacier in the middle of winter, north of the Arctic Circle, with the wind to your back and the Northern Lights to your face.

#3. Radiohead – In Rainbows
I called out a friend for including In Rainbows on his ’08 list, but like I said, ’08 was a little lacking, and since mass release via retail did occur in January 2008… well, it’s on my list. This is another one of those great soundtrack-esque albums that sets a mood and demands to be listened from start to finish. “Reckoner” is a favorite of mine and reminds me of cloudy fall days, but I also have to mention the fantastic stereo guitar work on “Bodysnatchers” which must be listened to with headphones on.

#4. La Rocca – OK OKAY
Sophomore effort from La Rocca and it’s pretty decent. They’ve got a good Irish flair to themselves like U2 and others, but it’s not so in your face, and as much as I like soaring arena rock it’s nice to tone things down a little bit with something more along the lines of The Frames. That’s where La Rocca usually sits – more at ease in a pub than a stadium I’m sure.

#5. Low Vs. Diamond – Low Vs. Diamond
I’ve been waiting for this album for a while since Low vs. Diamond released a debut EP in 2007. I suppose it’s along the lines of La Rocca as above, but probably a little more brooding and moody… the sort of thing that you’d hear at the climax of an episode on the CW… oh wait, that’s where I heard them first.

#6. Ryan Adams & The Cardinals – Cardinology
Dang, this guy can crank out the songs, and somehow it doesn’t all just sound like same ol’ same ol’. “Magick” is probably one of the most different songs on the album, but I really like “Cobwebs” and “Fix It”. The only thing missing on this album is Adams randomly shouting out “guitar solo!!” That should have been worked into “Magick” at some point I think.

#7. Jon Foreman – Spring
It was fun to be involved on this project back at EMI, and Spring is just 1/4 of a great series of “seasons” EPs released over the last year. I think Spring is one of the more diverse EPs he released, and delves into some very Sufjan-esque styling, such as on “March”. As are all the tracks within the “seasons series”, Spring is aptly titled with a collection of brighter, more energetic tracks… much needed considering my propensity for darker moodier music.

#8. Eric Hutchinson – Sounds Like This
This was a bit of a late discovery for me in 2008, thanks in part to recent radio success with the single “Rock & Roll”. This album is just fun, with some great blues / funk / gospel / soul influences throughout. It’s a little Marc Broussard, a little Jason Mraz, a little Robert Randolph.

#9. Killers – Day & Age
I was really looking forward to this album, so it makes the list more as a result of anticipation than actual worth. I love the radio single – “Human” is a great track, pulsing and driving, with some sort of ’80s thing going on. Frankly the rest of the record was a little lacking. Maybe if Killers, Keane, and Snow Patrol just release a compilation together next time we’d be better off.

#10. Meiko – Meiko
I’m still listening to this album, not sure if it really should get the last spot on the Top 10 list or not… but honestly since I don’t like Fleetwood Foxes and Bon Jov Iver like everyone else did last year I’ve got nothing else to slip in. From the few times I’ve listened to Meiko I like it though – has that laid back, singer-songwriter Ingrid Michaelson thing going on, but without the images of Old Navy sweater commercials running through my head.

It’s a sad and rainy day in Nashville, and this is the right music for it.

A couple notes on this album: This is a side project for Glen Hansard who is the lead singer for an Ireland-based band called The Frames. He’s been getting a ton of publicity recently because of his work as lead actor and musician on the independent film Once – a brilliant modern day musical about a chance encounter between a guy and a girl.

Here’s what I need you to do:

• Listen to Track 3 below, “Falling Slowly”
• If you like the song, go rent Once and watch it this weekend without exception
• If you like the movie, come back here and listen to the album The Cost by The Frames

Finally, want to give a quick shout-out to friends who lost their jobs yesterday. I’m sorry… it sucks… I hate it very much, and we all miss you.

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Epic, sweeping, and decidedly British… what’s not to like about British Sea Power‘s third album Do You Like Rock Music? Welcome to album #2 in my series of “Five favorite albums that aren’t available on Napster, but are available on Imeem”.

Admittedly, critics didn’t care for this album much, comparing their epic attempts to 2001-era U2. In their defense, I really don’t feel that this record feels forced in arena-rock attempts. While U2 has ended up sounding relatively formulaic in recent releases with predictable moments of sonic largeness, Do You Like Rock Music? is seamless and seems to flows naturally. I don’t pick up on any absurd attempts to simulate a yellow-sunglasses encased uber-cartoonish rock star.

Form your own opinion I guess, but if you like this album you definitely need to check our their previous release as well, Open Season, which as luck would have it, is available on Napster.

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